Waka Flocka Wiz Khalifa Flame

Tonight’s season finale episode of MTV’s “Hip Hop POV” (airs midnight ET) is filled with reveals and insider gossip. Waka Flocka Flame opens up about his beef with fellow rapper Wiz Khalifa. Despite appearing on the same episode of Hip Hop POV a few weeks ago, the buzzy rappers have not been the best of friends. In a sit-down with Def Jam’s Bu Thiam, Flocka says that it was weed of all things, that sparked the feud, as the two were smoking and Wiz couldn’t hang.

rapper beef

rapper beef

 

Wiz then took to Twitter and threw shots at Waka but the “Round of Applause” rapper has “no problem” now with Wiz. Wiz echoed this sentiment in an interview with “RapFix Live” last month, saying, “I don’t have problems with people, because if I do, I address it. If I feel someone disrespected me or if I feel like somebody was mentioning me in an indirect way I’ma find out how to talk to that person and then we’ll squash it from there.”

The Kang, T.I., also stops by for a candid interview with the crew. He talks about his upcoming album Trouble Man, his disregard for music blogs (He’s too high for them!) and shares that his protege Iggy Azalea is no longer signed to Interscope. Iggy inked a much-talked about deal with the label earlier this year. Although Tip wouldn’t say what label she will ultimately align with and release her debut, The New Classic, through he says that he’s open to both a major or indie deal.

Rounding out the night, Black Hippy’s ScHoolboy Q makes a rare primetime appearance and Travis Porter gets the crowd ramped up with a high-energy performance.

Don’t miss tonight’s episode of “MTV’s Hip Hop POV” at midnight ET on MTV. The conversation-based show highlights some of today’s hottest news and more from a cast of hip-hop tastemakers. Fans can also join in on the Twitter conversation using the hashtag #HipHopPOV.

Throwback Beef – Pimp C vs Atlanta Rappers

The beef is squashed now but Pimp C was calling out Lil Jon for not crediting Three 6 Mafia with starting crunk, saying Young Jeezy never sold dope and that Atlanta is not the South…. watch the video!!!

9 new rap videos

Far East Movement You ve gotta friend feat Baby Bash, Lil Rob (full version)


Pittsburgh Rap Artist Jay Dix Ft. Smoove (OFFICIAL MUSIC VIDEO) “CELEBRATE

Drake – Crew Love Official Music Video ( 14 Year Old Rapper – Dreads ) @ItsDreads

MORONEY – THRONE (OFFICIAL MUSIC VIDEO)


MORONEY -THRONE (PRODUCED BY AMADEUS THE STAMPEDE)

SINGLE OF THE “FAHKIN MORONEY KHEDD” MIXTAPE AVAILABLE AT
WWW.REVERBNATION.COM/MORONEY

WORLD PREMIERE SWERVE MUSIC VIDEO TRAP HOUZE A.S.M.G. ALL STAR MUSIC GROUP


WORLD PREMIERE SWERVE MUSIC VIDEO TRAP HOUZE A.S.M.G. ALL STAR MUSIC GROUP BIG BRUSKY FT. MILO AND BEATERMAN
Category:

(Official Music Video) The Best Around


www.facebook.com/rockemicalinc www.reverbnation.com/rockemical www.twitter.com/ikeepit3000 www.cdbaby.com/cd/rockemical

.New Next Level Joint Off Rockemical’s Upcoming Album ” Tha Life ” Produced By Dj Fes @djfes206 COMING SOON

NEW MUSIC VIDEO 2012 – CAN’T STOP NOW – WeAreFSP (Official Music Video)

AN’T STOP NOW – WeAreFSP (Official Music Video)
CAN’T STOP NOW – WeAreFSP (Official Music Video)
CAN’T STOP NOW – WeAreFSP (Official Music Video)

FOLLOW US : @WEAREFSP @VESTSWAG @JAMRONNemesis
Wearefsp.com

Filmed By : Joshuaa “PYREx” Kessler
Directed By : Joshuaa “PYREx” Kessler & Fat Steve
Edited By : Joshuaa “PYREx” Kessler
Produced By : Royal Audio Tunes
Recorded By : Steve Vest
Mixed and Mastered By : Steve Vest

For Info/Booking Contact :
Steve Vest – Steve@fatsteveproductions.com

For Music Video Questions Contact :
Joshuaa “PYREx” Kessler
POWERHOUSE FILM PRODUCTION
youtube-powerhouse816
facebook/officialpyrex

DShade-They Want It All ft.The Narcicyst x Omar Offendum

Pulp Fiction parody:Its a rap!
Brand New Video from DShade featuring The Narcicyst x Omar Offendum. Also starring BuddaBlaze,Loe Pesci and 80 Rock.They Want It All
Shot by JLR. Directed by DShade and Narcel X. Edited by Ryley Mahoney

PUSH – ( DBZ ) DEZERT BOI’Z FEATURING MANIAC & BILLY B – ARIZONA HIPHOP AND RAP MUSIC

Rapper Lil Boosie’s Grisly Murder Trial

May 9, 2012 5:20 PM ET
boosie
Lil Boosie attends the 2009 Ozone Awards in Houston, Texas.
Ben Rose/Getty Images

The murder trial against Baton Rouge, Louisana rapper Torrance Hatch, better known as Lil Boosie, is currently underway in the city’s 19th Judicial District Courthouse. Hatch is charged with first-degree murder in the 2009 death of Terry Boyd.

According to opening statements delivered on Saturday afternoon by the prosecutor, Assistant District Attorney Dana Cummings, the killings were a $2,800 murder-for-hire ordered by Boosie and executed by his henchman, 17-year-old Michael “Marlo Mike” Louding. The defense alleges that the slaying was the work of a teen hitman with the mind of a maniac, a rogue gunman haunted by a demonic choir of voices hollering, “Kill.” In an impassioned opening salvo, Jason Williams, one of Boosie’s attorneys, steadfastly maintained his client’s innocence, alleging that Louding acted only in concert with Michael “Ghost” Judson and Adrian Pittman. In the weeks before the slaying, Williams claimed, Boyd robbed Judson for $720, while Pittman allegedly harbored a long-time grudge against Boyd.

Williams also argued that Boosie is being unfairly persecuted for his gangsta rap lyrics, which are laced with accusations of racism aimed at law enforcement officials, including Parish District Attorney Hillar Moore III.

It was half past midnight on October 21st, 2009, when a 9 mm handgun fired six bullets through the front window of a house on Vermilion Drive. By the time police arrived to the residence in East Baton Rouge, 35-year-old Terry Boyd was dead, his body staining a brown leather couch the color of crimson. A neighbor spotted two men sprinting towards the train tracks near the residence of Ben Hawkins, where Boyd had been staying ever since he completed a five-year stint at the Winfield correctional facility, just one month prior. Boyd left behind a disposable camera, $402 in cash and a bloodstream spiked with morphine, marijuana, and codeine.

With no DNA evidence or eyewitness to the shooting, the prosecution is hinging its case around a taped jailhouse confession from Louding and telephone records that trace him to Boosie’s recording studio during the hours before and after the murder. Also presented as evidence: a tattoo that Louding allegedly received two weeks after the murder – a depiction of an AK-47 accompanied by the phrase, “Yo Boosie. Who’s Next?” – and the lyrics to Boosie’s songs “187″ and “Bodybag,” which Cummings says were recorded on the night of the murder.

According to Cummings, the motive for the murder stemmed from a letter that Boosie received claiming that Boyd was going to “jack and slap him.” The defense maintains that no such letter exists and that Boosie and Boyd had an amicable relationship, noting that Boosie had a child by Boyd’s sister.

Louding’s nickname derives from The Wire character Marlo Stanfield, known for his homicidal tendencies and his knack for eluding police. The state has charged Louding with five other killings over a 14-month spree, including that of Michael “Ghost” Judson, who allegedly paid Louding to murder Chris “Nussie” Jackson (a rapper with scathing diss songs about Boosie), and Darryl “Bleek” Milton, a longtime friend of Boosie’s. The defense team is pointing to the latter homicide as proof that Boosie had no control over Louding, who had “run amok.” Boosie is only charged in connection with Boyd’s murder.

Over several hours of pitched testimony on Monday, Louding denied his and Boosie’s culpability in the Boyd murder. Bound in chains and clad in a candy-striped orange and white jumpsuit, Louding blamed his jailhouse confession on “crooked cops,” who allegedly threatened him with lethal injection and the incarceration of his mother and stepfather. During one dramatic turn, Cummings and the court forced the shackled Louding to display his “Yo, Boosie. Who’s Next” tattoo before the jury, despite the fact that Cummings already had blown-up photos of the tattoo by her side. Louding also alleged that his confession was coerced by interrogators who had claimed that Boosie had put a $25,000 bounty on his head.

After Louding’s testimony, police Sgt. Chris Johnson took the witness stand and denied making any threats towards Louding. Defense attorneys pointed out that the confession represented only a small fraction of the hours that police had spent interrogating Louding on May 14th and May 17th, 2010. According to police, only Louding’s confession was taped. During several hours on the stand, Johnson repeatedly denied telling Louding that Boosie had put a hit out on him. But during the videotaped confession, Louding is distinctly seen exclaiming, “That dude want to kill me? He’s getting out now?” on camera.

“We haven’t seen a smoking gun yet, and the defense is doing pretty well in rebutting the charges against Boosie,” Kenneth M. Willis, a Baton Rouge and New Orleans-based criminal defense attorney who’s been watching the proceedings closely, tells Rolling Stone. “It’s going to come down to whether the jury believes Louding’s recanting his earlier taped statement and whether the prosecution can successfully tie [Boosie's] lyrics into his intent to commit a murder-for-hire. Right now, rap is on trial, Boosie’s rap music is on trial, and to me, it looks like a long shot that he’ll be convicted.”

Read more: http://www.rollingstone.com/music/news/inside-louisiana-rapper-lil-boosie-s-grisly-murder-trial-20120509#ixzz1uRUidXT5

Houston Underground Rap Concert

Special thanks to Wink and UGK Records , Markus Polk and Mperial Music Group, The Orange Brick Family , The Brail Society, Enoc and the Die Hard Thugs Kid Frost, and all the other rappers and Entertainers who came to the

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Straight Rapper Takes On Homophobia

When was the last time you heard a rapper start a track quoting Harvey Milk?

This video would be the first time that has happened.


If you’ve followed my writing a bit, you know that there are two things I think are incredibly necessary and powerful as far as creating change.

One is the use of culture and the arts to push the public discourse beyond standard political rhetoric. This form of work so often creates cultural change that precedes any related electoral or policy change.

The second thing history has shown to be particularly powerful is when diverse groups find unity and overlapping support in the fight for all of our rights and equality. (A good example of that work is expanded on in this piece about the organizing around the votes on both the Dream Act and Don’t Ask Don’t Tell.)

Adair Lion‘s new video — “Ben” — smashes a prior cultural taboo, brings together diverse communities and, on top of all of that, throws a hot Michael Jackson remix into the whole thing.

As a straight, Texan, Latino rapper, Adair approached this work with the full understanding of the risk involved. But his understanding of the need for, and potential power within, the message was a stronger force for him. (For his full thinking behind this track, and the story lines in the video — breaking down the three dollar bill and why Adair’s character isn’t acting so decent in his own relations — he’s written up his own background piece.)

Kat St.John highly energetic solo colossal club/party songs

 This record sends a strong message in music, dance and lyrics

 

Here is the Music Player. You need to installl flash player to show this cool thing!

Adam Yauch Died!

Adam Yauch, one-third of the pioneering hip-hop group the Beastie Boys, has died at the age of 47, Rolling Stone has learned. Yauch, also known as MCA, had been in treatment for cancer since 2009. The rapper was diagnosed in 2009 after discovering a tumor in his salivary gland.

Yauch sat out the Beastie Boys’ induction to the Rock and Roll Hall of Fame in April, and his treatments delayed the release of the group’s most recent album, Hot Sauce Committee, Pt. 2. The Beastie Boys had not performed live since the summer of 2009, and Yauch’s illness prevented the group from appearing in music videos for Hot Sauce Committee, Pt. 2.

Yauch co-founded the Beastie Boys with Mike “Mike D” Diamond and Adam “Ad-Rock” Horowitz in 1979. The band started off as a hardcore punk group, but soon began experimenting with hip-hop. The band broke big with their first proper album, Licensed to Ill, in 1986, and further albums Paul’s Boutique, Check Your Head and Ill Communication cemented the band as a true superstar act.

In addition to his career with the Beastie Boys, Yauch was heavily involved in the movement to free Tibet and co-organized the Tibetan Freedom Concerts of the late Nineties. In 2002, he launched the film production company Oscilloscope Laboratories.

Read more: http://www.rollingstone.com/music/news/beastie-boys-co-founder-adam-yauch-dead-at-48-20120504#ixzz1tvJj9ZK2

Deuce Drops ‘Bomb-Ass Music

So far, his single “America” is showing definite signs of life. Current sales of the track stand at 36,000 copies, according to Nielsen SoundScan, since the sales week ending Jan. 15. “America” now faces personal competition: It rises to No. 27 and No. 23 on the Mainstream Rock and Active Rock charts, respectively, this week. Hollywood Undead’s latest single, “Levitate,” debuted at No. 34 on the Rock Songs chart last week. It peaked at No. 38 on Mainstream Rock and last appeared on the Active Rock chart at No. 40 the week of March 10. It has so far sold 57,000 copies since arriving April 10, 2011.

Deuce

Deuce

Coin Locker Kid

Coin Locker Kid points to middle school as the genesis of his musical aspirations.

Coin Locker Kid

Coin Locker Kid

The rapper and Fayetteville native – born Devyn Smith – says his love of art manifested itself in different ways before he landed on beats and rhymes. At one point, he thought he’d be an author. Then there were the short films he made as a kid and the band he formed at Reid Ross Classical School, also called Coin Locker Kid.”Ever since I could remember, I always wanted to make art,” said Smith, 21. “Going into high school, I had this idea that I wanted to do big things and affect the people around me.”
Today, he is collaborating with Australian producer Katalyst and has met some of his musical inspirations, including Portishead’s Geoff Barrow.

 

His latest

collaboration with Katalyst from the “Quakers” project, “Russia With Love,” started popping up online at the end of March. A video for the song he shot himself around Fayetteville is also floating around online.

Yet even after positive press in France and Australia, Smith won’t allow himself to feel accomplished.

“Now that I’ve come so close, it’s almost sort of like this whole feeling of eagerness, almost like an anxiety,” Smith said. “So I’m not that interested in feeling like I’ve done anything, because I don’t feel like I’ve done anything.”